Sonic Artefacts Archives - Page 2 of 3

ASNAMUS (Hommage to Sergei Parajanov)

The magic of collage. Great surrealistic polyphonies (almost kitsch and almost sacred), beyond traditional logic. Sergei Parajanov besides Kurt Schwitters, Giuseppe Zevola, Pierre Schaeffer and other eccentricities. Étrangeté…

sehr traurige „Amusik” (Tonkunst), ein klingende[s] SCHWITTERS [excerpt]

„very sad ‚amusic‘ (sound art), a sounding SCHWITTERS“ This is a quotation from a letter of Nam June Paik to Dr. Steinecke (8th December 1958). Paik tried to do music (or better: ‚amusic‘) in the spirit of Kurt Schwitters. Perhaps Schwitter’s “Merzkunst” is sometimes melancholic, but never really sad, however, it never lacks of playfulness. […]

PRELUDE – INSTALLATION (“The Glass Bead Game”)

Sound installation conceived as a “Prelude” to the lecture-performance THE GLASS BEAD GAME (Winter Solstice 2022) at the “Ground Floor” of the State Philharmonia of Armenia in Yerevan.

The Golden Sound (Final of the “The Glass Bead Game”)

For the Finale of the lecture-performance THE GLASS BEAD GAME inspired by Hermann Hesse’s last novel (Winter Solstice 2022) at the “Ground Floor” of the State Philharmonia of Armenia in Yerevan.

AKASHA (klang-raum Terterian)

A “sound space”; an installation. A slow, very slow flow of sound events. Otherworldly temporalities. (It could always already commenced, and could continue forever). A hommage to the homo cosmicus Avet Terterian.

ANDROGINO. Sound install’Action for ancient places (excerpt)

A sound event that evokes memories, from a very distant past as well as from a remote future… The archaic present. What connects us, is the remembering of the Origin – of the continuum, to whom we belong. Remembering is to recognize the archetypes of reality. The sound of the “Androgynous“ (reconciliation of the opposites) […]